One paradox of the Arab Spring, said Fatima Sadiqi, is that women took a primary role in the uprising but their political rights regressed after the turmoil. The number of women in Egyptian parliament dropped since the uprising in January 2011, for example.
In her presentation to over 150 people at UW-Madison’s Union South earlier this month, Sadiqi quoted the beginning lines of Dickens’ A Tale of Two Cities to capture contradictory sentiments about the Arab Spring: “It was the best of times it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was epoch of belief, it was epoch of incredulity…it was the spring of hope, it was the winter of despair…”
Sadiqi visited UW-Madison on November 8 to speak about “North African Women’s Rights in the Aftermath of the Arab Spring.” She discussed the challenges that face the Maghreb, the region of North African now struggling to build democracies alongside political Islam.
Sadiqi argued that women’s rights are a “genuine prerequisite for democracy.”
Sadiqi started the Gender Studies program at the University of Fes in her native Morocco, and she was introduced as the first female linguist in the Arab world. She serves as a professor of Linguistics and Gender Studies. In 2006 she founded the ISIS Center for Women and Development and, three years later, co-founded the International Institute for Languages and Cultures.
I had the pleasure of interviewing her in advance about her personal journey into the fields of women’s rights and linguistics. But I also learned a lot from her lecture about the Arab spring and the future of women’s rights in the region.
She shed some light on political Islam and its influence on the Middle East and North Africa (which have unique histories and political dynamics). Political Islam grew from the Iranian revolution, the fall of the Soviet Union, and the rise of the United States, explained Sadiqi.
Islam comes with its own forms of feminism, and Sadiqi pointed out that the women involved in the Arab spring ranged from Islamic feminists to secular feminists; they ranged in age, and they had support from NGOs and some men as well.
“Islamic feminism is the unwanted child of Islamism,” said Sadiqi.
Islamic feminists have been reviewing the Qur’an and other Islamic doctrine to separate the religious tenants from the politicized interpretations. (But this is a big topic for consideration on another day.)
Sadiqi pointed out that Islam is changing, along with Maghreb democracies. She said that there is a diversification in the religious field in North Africa, and while society is not becoming more secularized, there is perhaps a growing separation between Islam and politics. That separation may be facilitated by movement in women’s rights, she said.
In her talk, Sadiqi explored numerous paradoxes inherent in the aftermath of the Arab spring, but she also presented solutions. She suggested that gender equality be included in new constitutions and the policies of formative democracies and that legal action can be an important way for women’s equality to progress. She ended with the slogan from a growing political party in Tunisia:
“Democracy will happen with women, or it will not happen at all.”
The Brazen Optimism of “Girl Rising”
We parked a few minutes before the viewing was scheduled to start and hustled towards the Barrymore Theatre in Madison, WI. Two members of the group did not yet have tickets to see the documentary Girl Rising, so they made their way to the end of the long box office line snaking around the building. In the other “line,” groups of tweens and teenaged girls pushed their way to the front with chaperons assertively pushing after them.
I had a hard time keeping my cool in the chaotic crowd, but I felt grateful at the end of the film that all those young people had watched the movie. I hoped they felt inspired as I did, possible, I think, because of the film’s bold optimism and omission of some dark details.
Richard E. Robbins’s Girl Rising succeeded aesthetically and narratively and in promoting its theme that educating girls will make the world a better place — for everyone. Girl Rising featured the stories of nine girls from nine different developing countries and (in most cases) overcoming their plights towards education.
Each of the girls shared their experiences with an author from their home country, who in turn interpreted the stories with a unique voice. These are not face-to-face interviews à la traditional documentaries, there’s reenactment, dream sequences, and animation on top of the lovely narratives.
Artistic shots captured the details of the landscapes each girl called home and the lines and details of their faces. (Alert: Spoilers ahead.)
Ruksana’s family in Kolkata, India manages to stay in the city to send three girls to school even though they live in a makeshift house on the pavement. She is a budding artist whose father bares the expense to buy her art supplies. The footage of her story is overlain with fantastical animations of a blue monkey and flowers that reflect the art in her notebook.
The stories feature obstacles that the girls overcome to attend school, and throughout the entire film we see poetry, song, art, and even physics embraced by the girls as survival tactics. My favorite character, Senna of La Rinconada, Peru, turns to poetry after the death of her father, and begins to write her own. Her father named her after the title character in the television show “Xena: Warrior Princess.”
Bravery and fortitude also run through the various stories of the nine featured girls. The stories of two, kept anonymous through name changes and actress portrayals, demonstrated strength but touched on the tough themes of rape, youth marriage, and early motherhood. Yasmin’s story in which she defends herself against assault is told via animation, where she takes on a superhero persona. We see Amina as a neglected girl child, who gives birth when she is still a child herself.
The stories of these girls ends with an almost brazen optimism that I bought into, because I became wrapped up in the story. And yet, as I left the theatre, I felt sad for all the stories of Yasmin and Amina that ended with a flourish of hope but unconcluded stories.
The Girl Rising website offers a follow-up to each of the girls, and Yasmin’s and Amina’s next steps cast a shadow on the hopeful sheen of the movie: “…despite our partner NGOs efforts to enroll [13-year-old] Yasmin in literacy classes, Yasmin’s mother considered a marriage proposal to be a more secure investment in her daughter’s future,” reads the website.
This video was well crafted to uplift (as evidenced in the title, Girl Rising). It also conveys the remaining problems for girls throughout the world, albeit with a glossy, optimistic over layer. It ended with a call to mobilize, and I hoped the young girls in the audience got the message: appreciate your education, it’s a right we all deserve but don’t all have access to.